I love, love, love it when artists extend their instruments beyond their acoustic limitations by experimenting with sounds and keeping them within character. This multi-dimensional music gets my thumbs up. FoF are reliably good at picking clever artists like Anenon.
Born out of a series of improvisational sessions with friend and collaborator Jon-Kyle Mohr, Brian Allen Simon aka Anenon’s ‘Petrol’ is an album about Los Angeles, but not the Los Angeles you know. It’s a Los Angeles built as much upon the frenzied kinetic energy of its freeways as its moments of thoughtful, early morning solitude. In Anenon’s mind, an Angeleno is “one who understands the beauty of distance and the consistencies of irregularity” and those juxtapositions can be found throughout ‘Petrol’, a spacious album that needs to be lived in to be believed. Those juxtapositions extend to the sonic makeup of ‘Petrol’, from the tactile bliss of opener “Body” to the album closing title track’s climactic bombast. Out March 4 on Friends of Friends, ‘Petrol’ is the culmination of years of work and a deeply refined sensibility, a combination that seems to fit both label and artist like a glove.
perhaps not so innovative, given Burial's stylistic parameters, these tracks are more like a frolic, made of fragments who are like distant relatives, getting nowhere really, but still being enjoyable in their atmospheric anticipation. This is more so in the case of Nightmarket, which fits what I like to think of as lo-fi trance, as anticipated in a superb track like ashtray wasp, although with a beatless and more orchestral approach in this case. aelena
I heard your interview with Jason Woodbury on Aquarium Drunkard's "Transmissions" podcast today. It was truly remarkable and touched my heart. I bought this album immediately afterward and am so grateful to you for this nourishing music in these strange, trying days. I hope I can time my next trip to Chicago to be able to see you perform live. Thank you! mfeltes